mobprop667
V.I.P. Member
- Joined
- Feb 7, 2008
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- 8,571
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Yesterday a guy came into the shop with a fake zakk Wylde camo bullseye lp. He was complaining about some fret buzz and tuning issues. He asked if I could do a setup on it and tweak it.
This thing was the biggest piece of junk I have ever seen. Bad neck joint shitty headstock, random pot placement, you name it.
The first thing I asked the guy was did he know it was a fake.
He said that he did but he got it cheap second hand and he thought it was almost as good as a gibson.
I pulled a real gibson les Paul off of the wall and asked him to try out this guitar against his.
After 2 minutes he asked me if I could make his guitar sound like the real deal.
I just said......"no."
I also told home that I would not work on a counterfeit guitar, regardless of how much he was willing to pay.
He asked why not?
I told him to look around at the 200 or so gibsons hanging on the wall.
Then I told him that as a gibson dealer I wouldn't touch one of these fakes with a 10 foot pole.
The nerve of some people knowing something is fake and bringing it to an authorised dealer for work.
This thing was the biggest piece of junk I have ever seen. Bad neck joint shitty headstock, random pot placement, you name it.
The first thing I asked the guy was did he know it was a fake.
He said that he did but he got it cheap second hand and he thought it was almost as good as a gibson.
I pulled a real gibson les Paul off of the wall and asked him to try out this guitar against his.
After 2 minutes he asked me if I could make his guitar sound like the real deal.
I just said......"no."
I also told home that I would not work on a counterfeit guitar, regardless of how much he was willing to pay.
He asked why not?
I told him to look around at the 200 or so gibsons hanging on the wall.
Then I told him that as a gibson dealer I wouldn't touch one of these fakes with a 10 foot pole.
The nerve of some people knowing something is fake and bringing it to an authorised dealer for work.