InTheEvening
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Thank you, I’ll check out the 90’s Gibsons. That sounds right up my alley haha. Were all the 99’s Gibson models like the standards and studios equipped with those hotter pickups? Or just the classics?The 1990's Les Paul Classic 1960 series all had hard sounding pickups with skinny necks , they came in many colors of bursts and goldtops too. They looked nice and were decemt weight . Sounds like what you might like. I hated them .....i like the 50's necks 58 fat -to 59 medium , i like the lightbtone wood , and smooth non crunchy pickup , for old 50's and 60's sounds. We are totally opposites....but it sounds like you d love he guitars i hate . And hate any guitar with oversized frets . Early Norlin doesn't sound like your cup of tea. Maybe latter norlins ......but 90's gibsons had what i called awful pickyps , but they might be what you want. There were several super nice series norlins in the early mid eight s ....i had several , they were highly though of by most players , but many are now collectoes items and quite expensive.itage . I loved my Heritage 80 stds. .... but like all really good Les Paul.....a quaility great sounding one will usually cost way more than a great sounding strat and much harder to find . Certain groups of Norlins can be counted on to be good guitars as rule, but thas i said they arenusually the higher dollar. You might be better off with 1990's unless you have alot of time and patience to try out various years old norlins. Maybe gomto big guitar show where you can play a big variety, before you buy. best luck
I read the 90’s classic LP prices have been going up too. Would be nice to find one at a fair price.
Good to know the Norlin years differed, I’ll try to focus on the later years if I choose to go that route then.
I can imagine, that much gain in a small space would be tough for many guitars.I was talking about playing loud with tons of gain.
Back in the day we played metal and punk on really loud amps in rather small rehearsal places with hard hitting drummers. The problem everybody was fighting was unwanted high screeching feedback. Mind you we did use distortion pedals so that didn't help either! So unpotted Dimarzios, T-tops, Patent number etc where hard to control.
I haven't seen that episode of Trogly's but I guess he wasn't playing on crazy high levels?
Yeah, he wasn’t doing super high gain, maximum was maybe AC/DC level.
This is the video.
Thanks, that’s reassuring to know.Nothing a good noise gate can’t solve. Unless the pickups are microphonic you should be good. I haven’t played the t tops through a live cab yet because I play my 5150 into the torpedo live with cab impulse responses but my R8 and replica pickups are hotter so I doubt I’d have a noice issue with the t tops.
You mentioned your R8 has hotter pickups than the T-tops. Are all the historic pickups usually hotter than T-tops?